
Robert Bunter: Lennon was rightfully ashamed of this slight, misogynistic Elvis ripoff. There are many people who have had difficult childhoods which left them with trust issues manifesting themselves in hostility towards women, but that doesn't mean we all run around threatening to cut their heads off.
Richard Furnstein: The stereo version deserves some attention here. The entire band is chugging along in the left channel, while the bass and John's lead primarily sit in the right channel. There's a great moment where you hear the band track in the vocal channel at the start of the song, presumably when John approached the microphone. Points should go to this song for George's solo and John's delivery on "toe the line" and the word "dead (at 1:22). Great outro, too.
Robert Bunter: Additional points deducted for the stupid tambourine part. The Beatles revolutionary use of the tambourine is a frequently overlooked aspect of their brilliant arrangements, but here it seems that Ringo couldn't be bothered to do more than the old shake-and=slap. Likewise, Paul offers nothing worth mentioning with his elementary one-five bass part. Unquestionably the low-point of the otherwise-competent "Rubber Soul" LP.
Richard Furnstein: Oh weird, your copy doesn't come with "What Goes On"? You should contact EMI ASAP to get that taken care of.
This is one of those best Beatles songs that wouldn't make my best Beatles songs list. Simple effortless whack with a great melody.
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